LIVE on the Digital Production Buzz

28 12 2008
Larry Jordan will be interviewing me on this weeks Digital Production Buzz

Larry Jordan will be interviewing me this Thursday night on his radio show, THE DIGITAL PRODUCTION BUZZ, a podcast/show devoted to all things digital media. You can get details about this week’s show at the LiveThisWeek page on Larry’s site, or download the show from iTunes or your favorite podcatcher software.

Advertisements




LAFCPUG Supermeet in Europe – Go Early, Go Often

2 09 2008

For those of you who don’t live in the Labor Day oriented United States, but live in Europe instead, here’s a tip for you.

What do you get when you combine the Los Angeles Final Cut Pro Users Group (the largest group of FCP users in the world, with really great monthly meetings in Los Angeles, and members around the world) with IBC, the media technology industry’s biggest international marketplace in the Netherlands? You get the First Annual IBC FCPUG SuperMeet. What is a supermeet? Simply, it is a gathering of FCP fans, who listen to a group of fantastic speakers, and compete for raffle prizes.

There is an annual supermeet at NAB in Las Vegas every year. But this year, organizer Michael Horton is taking the Supermeet on the road to Amsterdam.  On September 14 the inaugural edition of the IBC FCPUG Supermeet will debut. If you’re anywhere in the neighborhood you should, without a doubt, drop in and listen to some great speakers (such as Paul Saccone from Apple and TRAITOR editor Billy Fox) and put your tickets in for a raffle to win a bunch of prizes. Here is an excerpt from a note about who will be speaking there:

Jeffrey Nachmanoff (subject to availability) and editor Billy Fox will discuss how Final Cut Studio helped bring this taut international thriller to life.

From Spain, Director of Photography, Miguel de Olaso will show clips from his work utilizing the Red Digital Cinema Camera and talk briefly on workflow with Final Cut Pro.

Adobe’s Simon Hayhurst and Jason Levine will show how Adobe Production Premium’s suite of applications can compliment the Final Cut Pro workflow.

Final Cut Pro Guru and filmmaker Rick Young, who is editor of Macvideo.tv and founder of the UK FCP User Group will share his “Top Ten FCP Tips and Tricks.”

And that’s only part of it.

I’ve got no dog in the race. I’m not speaking there and I won’t make a penny from your attendance. But Michael Horton is a great and giving guy and, for anyone interested in editing, this is a great place to spend some time, meet some new friends, and learn learn learn.

Go to the LAFCPUG IBC Supermeet page for more details.





I’ll Be At LAFCPUG

15 06 2008

Whatever that means.

Actually, I’m assuming that most of you do. For those who don’t, it’s the Los Angeles Final Cut Pro Users Group, the largest users group in the world, as far as I know. It’s celebrating it’s 8th anniversary and I’ll be speaking there this coming Wednesday night, in my attempt to dampen the enthusiasm of these great users.

Not really. Mike Horton was kind enough, after my appearance on the show that he does with fellow LAFCPUG maven, Larry Jordan, to invite me to speak about the Craft of Editing. Here’s the general announcement (you can see it, and more details on all of the guests at the LAFCPUG Meeting Page.

Join us as we celebrate the eighth anniversary of the lafcpug. Scheduled to appear will be veteran film editor and Associate Professor and Head of the Editing Track at USC’s School of Cinematic Arts, Norman Hollyn. Plus, the brand new soon to be shipping Video Recorder/D.264 encoder from BlackMagic Design will make it’s LA debut. Plus, the brand new Focus FS-5 Portable DTE Recorder from Focus Enhancements will wow all of you who hate tape. Plus the FCP Tip/Trick of the Month, Stump The Gurus, Show and Tells and, if budget allows, Balloons, Circus Clowns and Pony Rides. And of course, World Famous Raffle. And MORE!.

A $5.00 donation will be requested at the door. Doors open at 6PM. lafcpug meetings are open to the public. First come, best seat.

Here is their description of my talk:

9:00PM – 9:35PM – The Craft of Editing – Norman Hollyn
It isn’t enough to just know the tool. Anyone can learn Non Linear Editing tools. But can one learn the craft of editing? Can one be taught how to edit? Most editors when asked the question, “How do you edit” generally reply with the answer, “I dunno. I just uh, do it. When it feels right I make the cut.” Then there are the editors who can articulate the craft of editing.
Norman Hollyn is one of few editors who can do just that.

He is a long-time film, television and music editor (HEATHERS, THE COTTON CLUB, SOPHIE’S CHOICE, Oliver Stone’s WILD PALMS), and is Associate Professor and Head of the Editing Track at the University of Southern California’s School of Cinematic Arts. He is an author of nearly 100 articles and his book, THE FILM EDITING ROOM HANDBOOK, has been internationally translated. His new book, THE LEAN FORWARD MOMENT, comes out from Peachpit Press/Pearson in December. lafcpug is honored to have him take the time to teach us a bit of what we need to know.

The good news if I have to finish by 9:35, so I can’t be too long winded, can I?





Distribution Hints and Depressing Tricks

8 06 2008

On Larry Jordan and Mike Horton’s always valuable and fascinating Digital Production Buzz podcast the other day (June 5 episode) Stacey Parks talked about things that she learned from her recent trip to the Cannes Film Market. Stacey, who wrote the book “Independent Film Distribution,” and who runs an amazing web site about film distribution called Film Specific, found out that the good news is that there are a lot of companies in the international marketplace who are looking for short films — actively looking. She said that she would post it on her website and, though I can’t find it there, you should keep checking back. On a clip on her site she talks about selling to the emerging markets — India, China, Eastern Europe and Latin America.

The bad news, however, is that even features with big buzz and stars aren’t selling because there are fewer channels for distribution in the United States. The films that are selling are those with very specific targeted audiences — such as senior citizens, teenagers, Christians, skateboarders, etc. The days of broad marketing are gone for independent films. Ironically, though, the major distributors are looking for films that appeal to all “four quadrants” (that is males and females, under and over 25) and, as a result are spending $125 million and more in production costs and tens of millions more in marketing.

That means that the only films that they will touch are those with strong marketing elements. And that, often, leads indie films out in the cold. Or, as I’ve talked about before, forces indie filmmakers to look at their films just like studio films, just with lower budgets. Marketable concepts, a few stars, name directors or writers or producers.





Self-Serving Announcement

18 05 2008

Digital Production BuzzYou’ve heard me talk about Larry Jordan and Mike Horton’s Digital Production Buzz radio show/podcast (actually, I’ve never heard it on the radio in real time; I listen to it every week in my car driving to or from work — thanks to the podcast version of the show).

Well, this week Larry and Mike are interviewing me on the show. I’m not quite sure just what they’ll find so interesting, but I know I can trust them to do it. For those of you who are interested in what I sound like with a cold, tune in on Thursday from 6-7 Pacific time (you can hear it live on their site right here). And just to make it even more interesting for you, they also promise to interview Patrick Nugent from Roxio about the new Toast, and editor Michael Jones. That interview is described thusly on their web site:

Michael Jones was the editor for the revival of “Banana Splits” for Warner Brothers. Shot in Australia, Michael developed an intriguing on-set editing workflow using Final Cut Pro and it’s multicam feature to show the director what they shot almost as soon as the scene was over. Listen as he describes his new workflow.

Listen early and listen often.


UPDATE.

To listen to the finished show, go to this archive page for the Buzz May 22nd show.