It’s well known that editor Walter Murch stands up in front of his editing station — whether it’s an Avid or Final Cut Pro. Here, in a short clip from Scoop du Jour, put together by Dorka Keehn, associated from the 2007 screening of the Edie and David Ichioka film about him (called, oddly, MURCH) he talks about a number of things, including how he would encourage anyone editing today to stand at their machine.
H o l l y n – w o o d (Norman, that is)
From NYC to USC, from Queens to Hollywood, this irregular blog will be about things I find that I also find interesting.
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About Norman Hollyn
Norman Hollyn has been described as a “media expert,” a reference to his experience in a wide variety of media types – in both the old and new media worlds.
He is a long-time film, television and music editor (HEATHERS, THE COTTON CLUB, SOPHIE’S CHOICE, Oliver Stone’s WILD PALMS), and is Associate Professor and Head of the Editing Track at the University of Southern California’s School of Cinematic Arts. He is an author of nearly 100 articles and his book, THE FILM EDITING ROOM HANDBOOK, has been internationally translated. His new book, THE LEAN FORWARD MOMENT, comes out from Peachpit Press/Pearson in December.
He has taught worldwide, including several workshops for the Royal Film Commission in Jordan. He has taught at the Sundance Film Festival, and consults and speaks at major corporations such as Dreamworks Pictures and the Philadelphia Inquirer. He has worked as an expert witness in legal cases involving the aesthetics or history of editing, and is partner in an Internet development firm. He presently editing and co-directing a documentary about architecture called OFF THE GRID and editing an international long-distance collaborative documentary called RIVERS.
He can be reached at norman.hollyn@gmail.com.
He is a long-time film, television and music editor (HEATHERS, THE COTTON CLUB, SOPHIE’S CHOICE, Oliver Stone’s WILD PALMS), and is Associate Professor and Head of the Editing Track at the University of Southern California’s School of Cinematic Arts. He is an author of nearly 100 articles and his book, THE FILM EDITING ROOM HANDBOOK, has been internationally translated. His new book, THE LEAN FORWARD MOMENT, comes out from Peachpit Press/Pearson in December.
He has taught worldwide, including several workshops for the Royal Film Commission in Jordan. He has taught at the Sundance Film Festival, and consults and speaks at major corporations such as Dreamworks Pictures and the Philadelphia Inquirer. He has worked as an expert witness in legal cases involving the aesthetics or history of editing, and is partner in an Internet development firm. He presently editing and co-directing a documentary about architecture called OFF THE GRID and editing an international long-distance collaborative documentary called RIVERS.
He can be reached at norman.hollyn@gmail.com.
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