For those of you who haven’t seen the WILL IT BLEND series on YouTube, et al, here is the latest chapter in which Tom blends an iPhone!!
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H o l l y n – w o o d (Norman, that is)
From NYC to USC, from Queens to Hollywood, this irregular blog will be about things I find that I also find interesting.
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About Norman Hollyn
Norman Hollyn has been described as a “media expert,” a reference to his experience in a wide variety of media types – in both the old and new media worlds.
He is a long-time film, television and music editor (HEATHERS, THE COTTON CLUB, SOPHIE’S CHOICE, Oliver Stone’s WILD PALMS), and is Associate Professor and Head of the Editing Track at the University of Southern California’s School of Cinematic Arts. He is an author of nearly 100 articles and his book, THE FILM EDITING ROOM HANDBOOK, has been internationally translated. His new book, THE LEAN FORWARD MOMENT, comes out from Peachpit Press/Pearson in December.
He has taught worldwide, including several workshops for the Royal Film Commission in Jordan. He has taught at the Sundance Film Festival, and consults and speaks at major corporations such as Dreamworks Pictures and the Philadelphia Inquirer. He has worked as an expert witness in legal cases involving the aesthetics or history of editing, and is partner in an Internet development firm. He presently editing and co-directing a documentary about architecture called OFF THE GRID and editing an international long-distance collaborative documentary called RIVERS.
He can be reached at norman.hollyn@gmail.com.
He is a long-time film, television and music editor (HEATHERS, THE COTTON CLUB, SOPHIE’S CHOICE, Oliver Stone’s WILD PALMS), and is Associate Professor and Head of the Editing Track at the University of Southern California’s School of Cinematic Arts. He is an author of nearly 100 articles and his book, THE FILM EDITING ROOM HANDBOOK, has been internationally translated. His new book, THE LEAN FORWARD MOMENT, comes out from Peachpit Press/Pearson in December.
He has taught worldwide, including several workshops for the Royal Film Commission in Jordan. He has taught at the Sundance Film Festival, and consults and speaks at major corporations such as Dreamworks Pictures and the Philadelphia Inquirer. He has worked as an expert witness in legal cases involving the aesthetics or history of editing, and is partner in an Internet development firm. He presently editing and co-directing a documentary about architecture called OFF THE GRID and editing an international long-distance collaborative documentary called RIVERS.
He can be reached at norman.hollyn@gmail.com.
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Digital Cinema
Editing
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- Scott Kirsner’s CinemaTech
- Scott Simmons’ Editblog
- Splice Here (Steve Cohen)
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Film Study
Filmmaking
final cut
Finishing
Indie Films
Post Production
- 24p.com
- ACE Members Tech Web Discussion
- Alan Stewart’s Zerocut
- Alex Gollner’s Editing Blog
- Avid Blogs
- Avid Hollywood
- Avid2FCP
- David Bondelevitch
- Digital Production Buzz
- digitalfilms
- Film Sound Daily
- HD Comparison
- HD For Indies
- Konspiracy Studios
- Little Frog In High Def
- Mike Flynn’s B-Scene Films
- Philip Hodgett’s Blog
- Picune Blog
- Post Production Standards
- Pro Video Coalition – Editing
- Studio Daily
- Tim Leavitt’s Assistant Blog
Production
The Future
My Old Blather
My Flickr Photos
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